Valerio Mezzanotti for The New York Times Halima Aden walked the runways in a hijab. After walking in the Yeezy Season 5 show in New York City and covering the latest issue of CR Fashion Book, the Muslim Somali-American model (who competed in the Miss Minnesota USA pageant in 2015), appeared at Alberta Ferretti and Max Mara in Milan. The model Halima Aden at Alberta Ferretti. Valerio Mezzanotti for The New York Times Emilio Pucci channeled the Yeti. Were the labels fringe-tastic hats an alternative to sunblock? An ode to grass? A nostalgic remembrance of the shimmer of disco? Our critic was left scratching her head . Emilio Puccis fall 2017 show in Milan. Valerio Mezzanotti for The New York Times Prada was a haven for the exhausted (and the lazy). The set evoked a series of bedrooms and provided the backdrop for a show that explored the many ways of being a woman .
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It has to be said, however, that the tie did make something of an ironic comeback in the Balenciaga Paris menswear autumn-winter collection last month. While it is sometimes hard to know if the brand's designer, Demna Gvasalia, the Georgian tyro behind the ultra-hip Vetements label, is being serious or not, he combined a white one, a red one and a charity shop-style brown one with a series of oversized double-breasted coats. - Humour - There was no missing the humour at Jour/ne, who took the pearl necklaces so beloved of the French capital's bourgeoisie and hung them in layers around the waist as belts. Anthony Vaccarello, who arrived at Saint Laurent last year promising lots of sexy glamour, may also have been having a laugh by holding his second show for the label on a building site -- complete with JCB digger -- while the rain poured outside. On the runway though all was glam and glitter, picking up where he left off with leather everywhere and a brash mix of 1980s shoulder pads and miniskirts. His big innovation this time was huge shearling collars and arm-length gloves so enormous they framed bare shoulders in their woolly embrace. As is often the case with Vaccarello, his models seemed not so much to be wearing his clothes as to be gift-wrapped in them. Earlier, Olivier Theyskens confected a very different type of hard-edged and far less fleshy glamour in his show, with a full-length black leather Gestapo-style coat and gloves setting the tone for a collection that thrilled and chilled at the same time. At the other end of the spectrum, the Ukrainian architect-turned-designer Julie Paskal produced another very pure but feminine collection inspired by the winter flowering plants and Bauhaus architecture of Tel Aviv. The 27-year-old, who had her third baby, Michelle, only two months ago, told AFP that she had absorbed much of the atmosphere of the Israeli coastal city เด รส คู่รัก before giving birth there.
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